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Tonstudio – Christoph Amann

live recording session #102

Samstag, 14.03.2009

[timed offdate=”2012mmdd”]


SASCHA NEUDECK + NÖRZ
SINEWAVE PROJECT
ART DENISSOV – Computer und Klavier

 



SASCHA NEUDECK lebt und arbeitet in Wien.
Für seine Kompositionen verwendet er Field Recordings, elektroakustische Instrumente und selbst gebaute Sonic Devices, immer mit Blick auf seine möglichen Zuhörer, die er emotional und/oder intelektuell mit seiner völlig unkonventionellen Soundart zu berühren versucht.
Zusammenarbeit mit:
xx+xy visuals, Jos Smolders, Christopher McFall, Staplerfahrer, David Velez, Martin Clarke, Ulrika Wedin, Heribert Friedl

http://www.sascha-neudeck.com

NÖRZ
ANDREAS TROBOLLOWITSCH – prepared guitar/bass, live electronics, melodica, feedback organ, objects
JOHANNES TRÖNDLE – cello, live electronics, melodica, field recordings, objects
2007 in Wien gegründet, arbeitet das Duo mit Klangquellen aller Art: akustisch, elektrisch, elektroakustisch und gerne analog.
Die Stücke entstehen im Spannungsfeld zwischen struktureller Vorgabe und freiem Zusammenspiel.
Nörz bedient sich dabei einer spielerischen Praxis, die die Klangfarbe in den Mittelpunkt stellt.
Nörz verfolgt eine Ästhetik der gebrochenen Schönheit.

http://www.myspace.com/­noerznoerz

SINEWAVE PROJECT ist ein polystilistisches Projekt mit einer Mischung aus computergenerierten Klängen und Live-Elementen, aus verschiedenen musikalischen Kulturen und Stilen geschaffen. Hier trifft East auf West, Elektronisches auf Ethno, Neue Musik auf Mainstream. Damit werden die Grenzen zwischen U und E, Worldmusic und Avantgarde verwischt…

ART DENISSOV absolvierte das Kompositionsstudium bei B.Schaeffer an der Universität “Mozarteum” in Salzburg. Neben Elektronischer- und Computermusik schreibt er für Theater und Film. Er lebt und arbeitet in Wien.

http://www.artdenissov.com

BIOGRAPHIE
Art Denissov is born in USSR. He studied Conducting and Piano in Moscow. At the same time he was working at the experimental studio for Electronic Arts “Klebnikov Electronique” also in Moscow. He was invited to participate at the “Ars Electronica” Festival in Linz, Austria. Later on he studied composition at the “Mozarteum” in Salzburg with Prof. Schaeffer, where he gradueted in the Year 2000. 

At the same time he participated in courses for New Music with L.Berio, F.Donatoni und M.Kagel. He took part at an audio-visual workshop with physical Models – “Genesis” under the supervision of L.Brummer (Zentrum für Kunst und Medien in Karsruhe, Germany). 

Since 2000 he is a member of the Austrian Ensemble for New Music (OENM), and since 2001 – of the International Hofhaymer Society. 

With his compositions he also participated at the International Festival for New Music “Aspekte”, Festival “Electrocomplex” and other Festivals. He was co-organiser of “Ranin Al Autar” Project in cooperation with solists of the Kairo Opera and OENM. Several times, he took part at the “Nacht der Komponisten” of OENM, as well as at the “Lange Nacht der Museen” in the Künstlerhaus Salzburg He also was represented at the “ARGE Salzburg” with “Sampling Story” Project for Computer and Visuals. 

At May 1st 2004 some his works where performed at “MAK – NITE special – Europe Now” at the Museum of the Applied Arts in Vienna. His opus “Relationen, Part I – Onda Verde” 2004, went on stage for the first time at the Project “Russia” at OENM. 2005 his electro acustic composition “Die Gesänge der Stationen” were performed at an exhibition of R.Korinek and R.Weber at the Carmelite Church in Wiener Neustadt. He also took part at the project “Flußmenschen” by T.Jelinek at the Experimental “Nomad” Theater in Vienna, where he made the musical design. 

Music for Video films by R.Passiatore followed, called “Quasi Poesie” and “Wie von Tomaten”. He was one of the composers for the project “Udo 77” by Monochrom, Rabenhof, Vienna. 

Since 2001 he also wrote the Film scores for the Films “Tirana Year Zero” and “Kotsch”, Lotus Film Vienna 2005, at the same time he was the Music Adviser for the “Landestheater” Salzburg for the Produktion “der Dichter und sein Diktator”. 2006 his work went on Stage in Austria for several performances for instance at the Museumsqurtier and Fluc, Vienna. 

He performed his Compositions on Exibitions openings “Faktum Flakturm” in Vienna and “Runnig Water” in Hollabrunn in Year 2007. Also 2007 with M.Hufnagl he satrted “Second Head” an elektronik Music Project and “Sputnik” an applied Misic Projekt. In collaboration with different musicans he is now working on different Projects.

 
 

 

Music – references by category

Online mastering – references by category

  • CD/Vinyl mastering
  • Downloadable audio formats
  • DDP creation/editing
  • Online delivery/ MD5 verification

Selected productions

  • BERNHARD GANDER – Monsters and Angels

    Kairos – 0013272KAI – 2012 – Kairos Musik Artist(s): Titus Engel, Peter Eötvös, Susanna Mälkki, Krassimir Sterev, Anders Nyqvist, Hsin-Huei Huang, Irvine Arditti, Ralf Ehlers, Lucas Fels, Ruth Rosenfeld, Arditti Quartet, ORF Radio-Symphonieorchester Wien, Deutsches Symphonie-Orchester Berlin, Neue Vocalsolisten Stuttgart, Ensemble Resonanz oenm(österreichisches ensemble für neue musik), composers slide quartet Composer(s): Bernhard Gander Recording Date: 2010 Recording Venue: Berlin Release: March 2012 Final CD-Master: Christoph Amann

  • Margareth Kammerer – Why Is The Sea So Blue

      mikron cd 26 – © 2013 – Mikroton Recordings Recording: Amann Studios Mixed by Valerio Tricoli and Christoph Amann, Mastering: Wernder Dafeldecker [soundcloud url=”https://api.soundcloud.com/tracks/147694458″ params=”color=00aabb&auto_play=true&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]